![]() ![]() ![]() In 2013 the Museum of Modern Art in New York City screened this film together with Truffaut's The 400 Blows. It has been stated that the formation of the French New Wave could be "tracked through two short films": Jean-Luc Godard's All the Boys Are Called Patrick and Truffaut's Les Mistons. Thus he also became a predecessor of French film directors such as Jean-Pierre Jeunet ( Amélie). Truffaut's narrative stresses the details of life, hereby establishing one of the traits of the French New Wave. The film demonstrates already some examples for Truffaut's "trademark tracking shots" and would "help define his style" as well as "set Truffaut on a path for his career". She was at that time Gérard Blain's wife. ![]() Moreover, it was Bernadette Lafont's film debut. Truffaut simply called it "my first real film". It was his second film after Une Visite in 1955 but it is considered his "first short film of any real consequence". Les Mistons ( The Mischief Makers) is a short film directed by François Truffaut in 1957. ![]()
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